Science

Creative Commons hits 1 billion licences for free usage

The creators of more than a billion photos, videos, songs and other works are giving them away on the internet for others to use for free forever — a big milestone for Creative Commons, the non-profit organization behind the copyright licences allowing that use.

Toronto-based CEO Ryan Merkley explains why so many people are giving their work away for free

Ryan Merkely's work on Toronto's open data project under mayor David Miller in 2009 eventually led him to the Mozilla Foundation and then Creative Commons. (Rannie Turingan)

The creators of more than a billion photos, videos, songs and other works are giving them away on the internet for others to use for free forever — a big milestone for Creative Commons, the non-profit organization behind the copyright licences allowing that use.

"I think it's a remarkable deal," said Ryan Merkley, the group's Canadian, Toronto-based CEO, of the numbers released in the group's State of the Commons report today.

The report shows that Creative Commons licences have nearly tripled in the last five years to 1.1 billion. The first Creative Commons licences were released in December 2002.

'I think the highest order of contribution that someone could make to the commons is to share something they made themselves and to give it away and invite others to build on top of it.'— Ryan Merkley, CEO of Creative Commons

Normally when you create something, it's automatically protected by a restrictive copyright that requires someone to seek your permission to use it and negotiate how much to pay you for the use. You can only override that by actively choosing an alternative licence.

"The CC licensor has to choose and take action to share," Merkley said, "whereas, you can draw a picture on a  napkin and have copyright over that work for life plus 50 years in Canada."

A work licensed under Creative Commons can be used or shared immediately if the user abides by conditions that you set. That may be as little as providing proper attribution. More restrictive licenses may stop users from altering the work when they use it, or from using it for commercial purposes.

But generally, you give up the right to profit directly when others use your work and to maintain specific control over where it's used.

"The CC licence is forever and you're adding it to the public commons for all time," Merkley said. "It's a massive gift. I think the highest order of contribution that someone could make to the commons is to share something they made themselves and to give it away and invite others to build on top of it."

Why creators give their work away

Why would so many people do that? Merkley said many creators feel they benefit from collaborating openly on the internet:

  • Musicians and photographers have the opportunity for greater exposure.
  • Educators in the open education movement believe that sharing resources means "we're not constantly reinventing the wheel" and being able to remix the work lets them tailor materials to the needs of different students.
  • Academics and scientists believe their findings should be freely available to everyone and not behind a paywall so it can be used to make new discoveries, inform policy or develop new technologies.
  • Governments want their data to be widely used for the benefit of businesses and the public anywhere. "They want a licence that works everywhere in the world.… They want those who pick it up to know that it can be used with other data sets.

Widely viewed and used

Statistics suggest that Creative Commons works are widely viewed and used — 136 billion times in 2015, the report shows.

Merkley said that's not just because they're free to use, but because they're simple and don't require extra steps such as a consultation with lawyers.

There were 391 million photos and artworks licensed under Creative Commons last year among media on 16 platforms such as Flickr. (Flickr)

"I don't have to contact the artist, I don't have to sign a form, I just have to follow terms and I know with confidence I can use that work and I think that's a big deal."

While he's pleased with the billion licences milestone, he admits that the number of Creative Commons licences is quite small compared to the overall content of the internet. "There will be two billion images uploaded to the internet today," he said.

The challenge is that normal copyright is automatic, but Creative Commons licences must be consciously chosen — by those who are aware that it's an option in the first place.

Merkley said there aren't good statistics on what kind of content has been licensed under Creative Commons, but among media on just 16 platforms, such as FlickrYouTubeSoundCloud, and open access journals, last year Creative Commons licensed work included:

  • 391 million photos and artworks
  • 46.9 million articles, stories and documents
  • 1.4 million research journal articles
  • 18.4 million videos
  • 4 million audio tracks
  • 76,000 open educational resources

It was Merkley's work on Toronto's open data project under mayor David Miller in 2009 that eventually led him to the Mozilla Foundation and then Creative Commons.

Data is a type of content supported by Creative Commons since the end of 2013. Merkley  hopes to see that category grow in the future, along with 3D models ranging from NASA spacecraft to fossils to sculptures that are being increasingly added to the public domain as 3D printers get more popular.