Ottawa·Photos

New National Gallery exhibition covers 4 decades of Canadian photography

Friday marks the official launch of an exhibition at the National Gallery of Canada that features more than 100 images shot by Canadian photographers between 1960 and 2000.

Photography in Canada, 1960-2000 to showcase 'diversity of photographic practice'

Souvenirs of the Self (Lake Louise) by Jin-me Yoon is one of more than 100 photographs that will be part of Photography in Canada, 1960-2000, which opens today at the National Gallery of Canada. (CMCP Collection, National Gallery of Canada)

A new exhibition launching Friday at the National Gallery of Canada will pay homage to the four decades during which photography emerged as a major contemporary art form in the country.

Photography in Canada, 1960-2000 will feature work by nearly six dozen Canadian photographers, including Jeff Wall, Jin-me Yoon, Yousuf Karsh and Edward Burtynsky.

All the photos come from the collection of the Canadian Photography Institute, which the gallery launched in 2016.

The exhibition is intended to highlight the "diversity of photographic practice" during the four-decade period, from portraits and landscapes to documentary records and components of multimedia works, said Andrea Kunard, the institute's associate curator.

Kunard said the show will also exhibit the institute's extensive collection — but it's not intended to be "the final word" on Canadian photography.

"I want [people] to come and appreciate the rich collections that exist here at the gallery, enjoy some of their favourite photographs, and see photographs that they've never seen before," Kunard told CBC News after Thursday's launch.

The Destroyed Room (1978) by Jeff Wall. (National Gallery of Canada)
Wild Horse Race, Calgary Stampede (1958) by George Hunter. (CMCP Collection, National Gallery of Canada)
Edward Burtynsky, Nickel Tailings #30, Sudbury, Ontario (1996), from the series Nickel Tailings. (National Gallery of Canada)

Kunard selected more than 100 images by 71 different Canadian photographers for the exhibition, arranging them thematically rather than chronologically in five different rooms in the gallery.

She called the process of picking and choosing the photos a "very painful" one.

"I just tried to think about the different people who have made really strong statements in the way that they've chosen to use photography," Kunard said Thursday.

"In the end, sometimes it was just a favourite photograph of mine. That's just the way it works."

Alex Gonzalez Loves his Mother and Father by Ken Lum (1989). (CMCP Collection, National Gallery of Canada)
Spa by Lynne Cohen (1999). (National Gallery of Canada)
Robert Burley's Jogger, The Muddy River, Boston, from the series Viewing Olmsted (1990). (National Gallery of Canada)

A second, smaller exhibition also curated by Kunard called PhotoLab 2: Women Speaking Art will debut at the gallery Friday as well.

That exhibition — which features 14 video and photographic installations by female artists — runs until Sept. 10, while Photography in Canada, 1960-2000 will be on display until Sept. 17.

Andrea Kunard, associate curator at the Canadian Photography Institute, said it was "painful" having to choose only 100 or so images for the new exhibition. (CBC)