Montreal

Hallelujah Handel! Montreal Baroque Festival salutes most popular composer of his era

Beethoven called him the greatest composer that ever lived, while Tchaikovsky dismissed him as "fourth rate" — George Frideric Handel is celebrated at this year's Montreal's Baroque Music Festival, which runs until June 24.

Festival kicks off with parade Thursday at 6:30 p.m. in Old Montreal, runs until June 24

George Frideric Handel was a 'lugubrious, heavy-drinking, heavy-eating, very lustful man,' according to Baroque musician Karim Nasr, who plays oboes, bassoons and other wind instruments from the period. (Getty Images)

Beethoven adored him, calling him "the greatest composer that ever lived," while Tchaikovsky dismissed him as "fourth rate."

Despite those mixed reviews, George Frideric Handel lives on as one of the Baroque period's great composers — and for four days, he will be the centrepiece of the 16th edition of the Montreal Baroque Music Festival.

"Tchaikovsky may have been jealous," says Karim Nasr, an instrument maker and performer of 17th- and 18th-century wind instruments. "Handel appealed to the everyman."

In that spirit, the Baroque Music Festival wants everyone to join the party with an opening parade where all instruments are welcome — everything from plastic recorders to pots and pans.

Handel's most famous work is the classic oratorio Messiah, based on biblical passages and first perofrmed in Dublin in 1742. But the man who composed it was far from pious. 

The festival calls Handel a "corpulent fellow" with a "serious case of gout," on its website's main page.

"He was a fat, lugubrious, heavy-drinking, heavy-eating, a very lustful man," Nasr said. "He is said to be ill-tempered at some point."

Nasr alludes to the story of Handel threatening to throw one of his sopranos out of a window for refusing to sing a part.

Many link Handel's bad temper with his taste for wines laced with lead — which may have taken its toll on his physical and mental health.

Less rigid musical period

Baroque music was created between about 1600 and 1750 and is remembered as being far less rigid than the periods which followed.

"The attitudes we have in the world of early music are far different than the conventions we have which are quite restrictive, I find, in the modern world," Nasr said.

"There isn't a hierarchy in the orchestra. There isn't a chain of command you have to go through to ask things."  

Karim Nasr studied music at McGill University and the Conservatorium van Amsterdam. (Verity Stevenson/CBC)

Nasr plays flutes, oboes, clarinets, and bassoons from the Baroque period and will perform with the Montréal Baroque Oboe Band on Saturday and Sunday in Phillips Square.

The festival starts with the grand opening parade at 6:30 p.m. in Place Jacques Cartier.

Other events will take place in public squares, churches and cafés around Montreal.

The full program is available here.

With files from All in a Weekend