Entertainment·Video

Grammys 2016: Kendrick Lamar, Adele, Lady Gaga deliver hits and misses

The Grammys are billed as music's biggest night, but while some of the world's top acts truly delivered, others were a drag.

The night's best and worst performances onstage

Lady Gaga performs a tribute to David Bowie at the 58th annual Grammy Awards on Monday in Los Angeles. (Matt Sayles/Invision/Associated Press)

The Grammys are billed as "music's biggest night," but while some of North America's top acts truly delivered, others were simply a drag. Who stole the show and who stunk? Check out our admittedly subjective tally with a taste from each performance and an overall highlights video below.


Taylor Swift, Out of the Woods

There was nothing specifically wrong with Swift's opening number per se, but it lacked the foot-stomping, infectious, joiner-anthem power usually required from performances that kick off the Grammys. With Bruno Mars, Mark Ronson and crew in attendance — resplendent in their sorbet-coloured suits — it seemed Uptown Funk would have been a more natural choice for the starter. Rating: Meh.


David Bowie tribute 

Actors who are great in biopics always say the same thing: "Interpretation, not impersonation." Lady Gaga's extended tribute to David Bowie was more of the latter than the former, with makeup and costume changes dominating the tepid performance that tried to mash together too many of Bowie's hits. Sure Bowie was camp, but the edge and artistry he embodied was largely absent from this tribute. Rating: Boo.


Hamilton

It's rare to see a musical celebrated on the  Grammys stage, but  Hamilton was worth it. The historical portrait  reimagined as a hip-hop musical fit nicely into the rap-celebration theme prevalent throughout the evening, and its cast showed the performers in L.A. what it means to be a true triple threat. Plus, with tickets for the musical in such high demand, this is as close as many of us will get to seeing  Hamilton anytime soon. Rating: Rave.

Maurice White tribute, That's the Way of the World

What do you get when you match living music legend Stevie Wonder and members of the young, talented vocal sensation Pentatonix? A moving, low-key yet funky acapella homage to the late Earth, Wind & Fire founder that had musicians of all stripes grooving in the audience (Common, Robin Thicke, the Foo Fighters and Janelle Monae, just to name a few). Rating: Rave.


Adele, All I Ask

We all know Adele has great pipes, but apparent technical glitches resulted in the beloved pop star sounding ... less than her usual self. Perhaps the problem is that we hold Adele to higher standards than other singers, but flat high notes and an unmemorable new single made this an appearance that everyone (including Adele herself, judging by her seeking-a-burger tweets) would rather forget. Rating: Boo. 


Kendrick Lamar, The Blacker the Berry/Alright

The five-time winner added some much-needed edge to what can be a safe and cosy affair. He depicted young black men in handcuffs, African dancers, a blazing fire onstage — and then there was Lamar himself, spewing lyrics like: "I know you hate me, don't you?" into the microphone. If art is supposed to provoke discussion and ignite emotions, this did it. Rating: Rave.

Justin BieberDiplo and Skrillex, Love Yourself/Where Are U Now

Starting out with a solo acoustic rendition of his "I'm-so-over-you" track Love Yourself, the pop star non-Beliebers love to hate awkwardly punted away his guitar before bounding to another stage to join EDM uber-producers Diplo and Skrillex for his Grammy-winning dance recording Where Are U Now. Aside from some half-hearted kicky moves, it felt lacklustre from the former teen star who should be more energetic amid his career revival. Rating: meh.


B.B. King tribute, The Thrill is Gone

You can't manufacture soul, but you can put together the perfect tribute to salute the King of the Blues. Country singer Chris Stapleton, guitarist Gary Clark Jr. and King's longtime friend Bonnie Raitt produced a melodic, soulful rendition of The Thrill is Gone. At age 66, Raitt also showed the mostly millennial nominees in the audience how to truly own the stage. Rating: Rave.