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Crime Story Episode 61: Shaun Raviv

Host: Kathleen Goldhar

KATHLEEN GOLDHAR: In the winter of 2002, the U.S. Environmental Protection Agency received an anonymous tip. Somebody had seen bones on a property in Noble, Georgia. And they thought they might be human. They were right. Investigators eventually searched the property and found the remains of more than 300 people.

SOUNDCLIP

REPORTER: Word of Friday's gruesome discovery in Noble is spreading fast throughout Walker County. It's a topic that has people at this local coffee shop speaking out.

LOCAL RESIDENT: I think it's the talk of the town. It's kind of nasty, if you asked me.

[dramatic music]

KATHLEEN GOLDHAR: It a different kind of story, this property might have belonged to America's most prolific serial killer. But none of these people were murdered. These bodies had been sent there to be cremated.

SOUNDCLIP

CHIEF MEDICAL EXAMINER: There is no logical explanation for having vaults filled with human remains and for having caskets dumped, you know, in the dirt and decaying and falling apart with more piled on top and more piled on top.

KATHLEEN GOLDHAR: Twenty years later, journalist Shaun Raviv tries to understand what happened at Tri-State Crematory in his podcast Noble. I'm Kathleen Goldhar, and this is Crime Story.

[dramatic music continues, fades out]

KATHLEEN GOLDHAR: Shaun, welcome to Crime Story.

SHAUN RAVIV: Thanks so much for having me.

KATHLEEN GOLDHAR: So tell me about Tri-State Crematory.

SHAUN RAVIV: Sure. Tri-State Crematory was in northwest Georgia, right near the border with Tennessee and Alabama. And it was in a very rural area in a small town called Noble, an unincorporated town called Noble. And it was run by the Marsh family, a family that had lived there for generations.

KATHLEEN GOLDHAR: They had lived there. And how long had the crematorium-- I keep, I'm sorry. I know it's a crematory, but I [laughs] am calling it a crematory. But how long had it been up and running?

SHAUN RAVIV: I think those words are interchangeable.

KATHLEEN GOLDHAR: Probably. [laughs]

SHAUN RAVIV: As far as I'm concerned, they are. I think it had been running for about 20 years.

KATHLEEN GOLDHAR: And it was run by the dad, right? So can you tell me about that history?

SHAUN RAVIV: Yeah, it was created and founded by the dad, the father of the family. And he'd been running it through the '90s until he got sick.

KATHLEEN GOLDHAR: And it was a successful business.

SHAUN RAVIV: Yeah, I think it was. Been running for more than a decade. It was the first crematory in the area. Before that, people who wanted a body cremated had to send it to a major city either north or south.

KATHLEEN GOLDHAR: And eventually it changes hands, right. So you mentioned that the dad gets sick. What happens to the business?

SHAUN RAVIV: After the dad got sick, he couldn't run the business anymore. It required, you know, like physical labour and he couldn't do that anymore. He'd had a stroke, and he had, you know, dementia type symptoms. So they brought in the son to take over the business who had-- was roughly finishing college at that time. He'd been a football player in college, in high school, a very good student. And they sort of brought him home to run the business.

KATHLEEN GOLDHAR: And it wasn't really his dream, right?

SHAUN RAVIV: That is my understanding, yeah. My understanding is that he didn't really want to do it, but, you know, he was part of the family, it's a family business. He was young and strong, and so he was asked to take over.

KATHLEEN GOLDHAR: And that family was really tight-knit. Can you talk to me about that family itself?

SHAUN RAVIV: Yeah, it was a tight-knit community and a tight-knit family. They had a church that had been in the area right around the corner from the property, the crematory property, for about 100 years. There were siblings and cousins and uncles and aunts, and they all sort of lived-- there were a lot of them lived in the area and had lived there for a long time.

KATHLEEN GOLDHAR: And would get together on the property, right, and like spend a lot of time together there?

SHAUN RAVIV: Exactly. The church was sort of a meeting ground, but so was the family property where the crematory was. It was a big property. Many, many acres. I think it was 16 acres. And there was a lake there where people fished. They had parties. They would have dances. They had go carts there. I think they have horses there. They had all sorts of cool stuff there over the years. But by the time the son took over the property, a lot of this sort of family history of these parties and stuff was sort of in the past. The property had become a little bit more of a quieter place from what I gather.

KATHLEEN GOLDHAR: And what was the son's name?

SHAUN RAVIV: Brent Marsh.

KATHLEEN GOLDHAR: Brent Marsh. So when do people start to... when's the first inkling that something's gone wrong?

SHAUN RAVIV: Sometime around 2001, a gas delivery man was coming to the property to deliver some gas, which was used for the crematory. And he sort of stepped onto the property, wasn't exactly sure where the gas tank was. It wasn't his route; he was taking over for another driver. And when he was looking for the gas tank, he saw what he thought was human body parts.

SOUNDCLIP

GERALD COOK: Started filling the tank. And then over to the left, there was a decomposing body laying on the ground. So it was this thing that looked like it was a... if you could think of a wax figure melting.

SHAUN RAVIV: You know, he knew it was a crematory, but they just didn't look to him like they were sort of in the right place. Like sort of being treated like you would normally treat a dead body. And he reported it to his boss at the gas company, and the boss reported it to the sheriff's office in Walker County, where Noble is. But nothing really came of it.

KATHLEEN GOLDHAR: And when you say like was in a place that it shouldn't be, I guess the reality is that you shouldn't see body parts anywhere, really.

SHAUN RAVIV: Yeah, for the most part. You know, if you're running a crematory and you just happened to be standing there, maybe you see a body going from a [KATHLEEN: Sure.] hearse to inside the crematory or, you know, sort of in a waiting room or something like that. But these were outside, I think, kind of in a pile, if I remember correctly. And it just didn't seem right to him.

KATHLEEN GOLDHAR: And it upset him like quite a bit. Like you talked to him, right, and it was something that kind of sat with him for a long time.

SHAUN RAVIV: Yeah, I spoke with Gerald Cook 20 plus years later. He was the gas delivery man. And he was even to this day pretty traumatized by it.

SOUNDCLIP

GERALD COOK: You know, I don't wake up every day thinking about it at all. Tried to put it in its s place. But I think the scarring that was done was, I guess, just impregnated into my being.

SHAUN RAVIV: It was a pretty frightening event for him. He ran into Brent Marsh on the property just, like, moments after he saw these body parts. And he didn't really know what to do other than pretend he hadn't seen them.

KATHLEEN GOLDHAR: So when does it finally get the attention of the authorities?

SHAUN RAVIV: I think it was over a year later. The gas delivery man returned again, saw more body parts. Gerald Cook returned. And again he's like, this, this doesn't make sense. But he didn't want to report it to the sheriff's office again because they... you know, he didn't think they'd done anything. He didn't really know the details, but he didn't think they'd... you know, they certainly hadn't like uncovered anything, but he knew something was wrong. And so he told his Aunt Faye, who worked in a local FBI office, and she had the idea of contacting the EPA, the Environmental Protection Agency, who could maybe do something about it because the body parts were on like a sort of natural property. And it got-- and the report got back to an agent there named Robin. And he was the kind of guy who just sort of always answers the call. And he came to the, came to the property and they found a human skull.

KATHLEEN GOLDHAR: And that must have started something.

SHAUN RAVIV: And that set everything off. [cross-talk]

KATHLEEN GOLDHAR: A bit of a watershed. Yeah. So tell us what happens. Tell us what they find, what kind of goes on on the property.

SHAUN RAVIV: So after the EPA agents -- there was two of them -- came to the property, they found a human skull in the woods. Not in an office or not like in the crematory itself or in the incinerator or in the furnace. And that felt wrong to them so they reported it to the local authorities. And eventually the GBI came, which is the Georgia version of the FBI. They came there, they searched the property. With Brent Marsh's permission, he was there. And they found a whole bunch of bodies on the property, sort of strewn about in every place imaginable, in every way, every state of decay imaginable.

KATHLEEN GOLDHAR: Yeah. I mean, I want to give a little bit of a warning because this part of the story is really hard to stomach. But I want you to kind of tell me what the police found. And it was a very difficult project for them, right? I mean, this was something that they really had to figure out how best to do. So can you explain what they found and sort of how they managed to do it?

SHAUN RAVIV: Sure. It was completely unprecedented for all the officers on the scene. And, you know, after a while, there were a bunch of them. Because at first they found about 10 or 20 bodies. And by the end of the first day, they were opening buildings on the property. There were a bunch of buildings, sort of barn-like buildings, big ones. And they opened some of these buildings and the crematory building itself, and they found bodies in all of them, in all sort of states of decay. A lot of states that you don't even want to imagine. And some of them looked brand new, like they were, you know, just sleeping. Depending on when they'd been brought in, whether they'd been embalmed, that kind of stuff.

KATHLEEN GOLDHAR: What did the police that you spoke to or the people involved in it tell you about sort of the impact, you know, just initially how it affected them to find all this?

SHAUN RAVIV: I'm sure it affected all of them differently. You know, some of them knew even a few of the people because they'd heard about their funerals or been to their funerals. I think some of them... I know some of them were quite traumatized. Some of them took longer than others to sort of feel that trauma because they had to work so hard for so long. It took weeks to keep uncovering bodies until they found eventually over 300. Yeah, I think it affected them a lot. From the sight to the smell -- which was very clearly described by some of the officers -- to just the very idea of like what's happening to all these people from their area. Or dead people from their area.

KATHLEEN GOLDHAR: I mean, I found your story so interesting because, you know, I do this podcast to talk to like lots of people about crime stories and I've done a lot of my own. And of course, there's always a reaction and a empathy, and even anger or sadness at like crimes, the loss of people. But there was something so visceral about your story. And I kept having to, like, say to myself, like, was there a crime committed? And I know eventually we get to there was sort of a more contract type crime committed. But can you talk to me a little bit about sort of why is this such a difficult thing to comprehend and to think about when, like we said early even in the intro, nobody is killed, right? So I'm just curious if you can talk to me a little bit about sort of the thought process you even went through thinking about what this story means.

SHAUN RAVIV: Yeah, me and my producer and co-writer Johnny Kauffman spent so much time thinking about that. Because it's, it was evident from the beginning that this case was different than other crimes because there was no murderer.

KATHLEEN GOLDHAR: Yeah.

SHAUN RAVIV: You know, all the bodies on the property were dead, not because of Brent Marsh, but he was the one who committed the crime. We knew it was different, but it was kind of hard to figure out. It took a long time to figure out how to word and how to describe it, and how to describe how we felt about it, how I felt about it. And I think it was Johnny who initially came up with the idea of this very, very much looked like a horror story. Like a horror movie where you get to this property, there's a mysterious man, there's bodies everywhere in every state of decay. Skeletons. You know, everything you don't want to imagine really about, like, seeing like a crime scene. And it was all there. But it really wasn't actually a horror story. It actually wasn't as horrific as it looked. It wasn't-- like, the surface was way worse than what was on the inside.

[suspenseful music]

KATHLEEN GOLDHAR: One of the main characters in your podcast is a woman named Sheila Manis. Tell me about Sheila and who she lost and how she got involved in the story.

SHAUN RAVIV: Yeah, so Sheila was a woman who lived just a couple of counties over, I believe. And her husband had died fairly recently, I think a couple of years before the discovery, of a pretty horrific sickness. You know, the kind of sickness where you deteriorate over time and then eventually die and there's nothing that can stop it. And, you know, she had gone through a lot, a real lot. And her husband, her late husband, Ira, had planned his own funeral because he had so much time to do so, which is a really sad and dramatic thing. And she spent a lot of time sort of trying to give him the funeral that he asked for, and part of that was to be cremated. And he was brought to a funeral home. Not directly to the Tri-State Crematory, but the funeral home used Tri-State as a third-party crematory. It was mostly used that way. And, you know, she thought she had sort of done everything that Ira had asked her to do. And then all of a sudden she sees on the news that there's a scandal at Tri-State Crematory, which she'd never heard of, even though it was, you know, not that far from her house. And she looked at the death certificate and saw that Tri-State was written as the crematory where Ira's body was taken. And, you know, she was devastated. And she almost immediately drove down there just to see what was going on -- like a lot of other people. She wasn't alone. And everyone would gather at a church down the block from the crematory, which was really, really close, and just wait for information. And for days she did that. And then eventually, they did find Ira's body and it had not been cremated.

KATHLEEN GOLDHAR: But she had what she thought were his remains.

SHAUN RAVIV: Yeah. She, like a lot of other victims of this crime, was given an urn or a plastic bag, whatever it is that they had paid for, filled with something that looked like cremains to them. And some people got a mixture of human cremains and concrete dust, cement dust. Or lime dust. Some people just got a fake dust, and some people didn't even know what they got. And it all had to be tested, and it was [an] extremely long and thorough process.

KATHLEEN GOLDHAR: Yeah, and she was really wracked with guilt, wasn't she? I mean, she really felt like this was an act, her last act of love. And she feels like she failed.

SOUNDCLIP

SHEILA MANIS: My biggest problem was that I had promised Ira that I would do exactly as she stated, okay? And then I would scatter his ashes. I thought I had done everything I was supposed to do and then come to find out, you know, I hadn't.

SHAUN RAVIV: She felt, yeah, she felt like she failed Ira. It obviously wasn't her fault. There was nothing she could have-- she couldn't have known that. She couldn't have done anything about it. But once she found out, you know, years later, I think it was pretty difficult for her. It was really difficult for her and she was pissed off.

KATHLEEN GOLDHAR: Yeah. And how did she feel about Brent?

SHAUN RAVIV: She was really upset with Brent. She would go on these online, very early online forums, you know, when the internet was pretty young, and curse him out. I think she called him Monster Marsh. And she was not alone in sort of calling him really nasty names in this forum. Lots of people did that there and elsewhere. And on the news, being interviewed in newspapers, like... all the words that you heard from most people were very, very harsh.

KATHLEEN GOLDHAR: How many bodies in the end did they find?

SHAUN RAVIV: It's a little bit of a imprecise number, but I think it was about 339. But it's not exactly, it's not exactly known, but that's roughly the number.

KATHLEEN GOLDHAR: And were they able to identify all of them?

SHAUN RAVIV: They identified two-thirds of them, almost exactly.

KATHLEEN GOLDHAR: Oh, boy. So there's still people out there who don't know what happened to their... they question if their loved ones were actually cremated.

SHAUN RAVIV: Yes. There's a lot of unknowns still out there. And among those unknowns is that there are 115-ish bodies that they know they have, but they're not identified and probably never will be.

[dramatic music fades up and out]

KATHLEEN GOLDHAR: So let's turn to Brent. What could the police do? Like what -- it obviously was an upsetting thing, but what crime did he commit?

SHAUN RAVIV: Well, at first, my understanding is that the law enforcement and GBI and the sheriff's office just weren't exactly sure what law he'd broken. They knew something was wrong, something was clearly illegal. But Georgia had, I think, pretty vague laws about what a human body is, whether it's property or something sort of greater than that. And eventually they settled on charging him with something along the lines of fraud.

KATHLEEN GOLDHAR: And do we know, like, what was he charged with? What did the prosecution want?

SHAUN RAVIV: He was charged with hundreds of counts. I forget the exact number. I want to say around 800 counts of fraud and other crimes. Eventually, they got him on something a little bit more specific, like, you know, mishandling of a human body. And they, you know, they wanted almost life in prison. They wanted thousands of years-- or, you know, he could have theoretically gotten thousands of years, but eventually he got a lot less.

KATHLEEN GOLDHAR: He had a pretty interesting defense lawyer. What was his name? McCracken?

SHAUN RAVIV: McCracken Poston.

KATHLEEN GOLDHAR: [laughs] I can't believe that's a real name.

SHAUN RAVIV: Yeah, a fantastic name. One of the best names I've ever heard, and really, a really fun guy. I spent a lot of time with him and he was my first source for the story.

SOUNDCLIP

MCCRACKEN POSTON: The way they charged him, the potential sentencing was over 8,000 years. Now, my reaction was four times the time since Jesus walked the earth is excessive. And that's what you say in the Bible Belt to get people's attention, 'cause they're thinking, you know, he may be right.

SHAUN RAVIV: Really great guy. Really cared about his clients, the Marsh family. From the very, very beginning, he made me more interested in the case because of how much he liked and respected the Marsh family. And that, that to me made the case interesting. If I had the impression that Brent Marsh was just some weird sicko, I don't think I would have done the story. But McCracken very, very quickly made it clear that he, like a lot of other people, like most people, respected the Marshes, you know, up until this moment, and many still after.

KATHLEEN GOLDHAR: So he does really start to unpack Brent's sort of devolution. Can you tell me how that story was told in court and what you sort of learned about why this happened?

SHAUN RAVIV: Sure. There was never a full court case, to be clear. It was-- they settled in the end, in the criminal case and in the civil cases. But the story that I've sort of pieced together through various sources, including his attorneys, was that he was sort of dragged into the business, uh, probably mostly against his will. And this is a story that's not completely proven, but that I mostly believe. And that he just didn't want to do it. And I think, like a lot of people, if you get dragged into a job you don't want to do, you end up doing a poor job at it. And I myself have had jobs like that. They didn't involve human bodies, though, and there's a very big difference there.

KATHLEEN GOLDHAR: Yeah. The job got away from him. So can you tell me about the way sort of that it was presented?

SHAUN RAVIV: Yeah. So the way that I've put together and that it's been presented to me by various people, and again, some of this is slightly speculative, is that, you know, he had a hard job, very, very hard job, where he didn't even earn that much money. Coming from college where, you know, he was-- probably had a lot of freedom, time away from his family, playing football. He was also just about to start a family. He'd gotten married, had a young kid. And all of a sudden he has to do this job, which is really hard, probably doesn't want to do. That he'd seen his dad do for years and helped his dad do. And Brent Marsh, just at some point, let a few bodies go. Didn't burn them, left them on the property. Gave some sort of either other human remains or cement dust to them and realized that nobody noticed. And it's just a few at first. And then the next year, a few more. And the next year, a lot more. And by the time he was caught, it was, you know, hundreds in a year, or over a hundred in a year.

KATHLEEN GOLDHAR: And do you buy that idea, with everything that you've done in the time looking into this story?

SHAUN RAVIV: To me, that seems like the most likely explanation. But I never got to speak with Brent directly, and so it's a little bit unknown.

KATHLEEN GOLDHAR: There was this theory of mercury poisoning that gets sort of floated. Can you talk to me about that one a little bit?

SHAUN RAVIV: Yeah, so McCracken Poston, the Marsh family's criminal attorney, believes, and which may be true, that Ray Marsh, the father, and Brent Marsh, the son, you know, were both exposed to mercury poisoning. Which is a real phenomenon for people who run crematories, especially if there's leaks in the pipes or in the furnace itself. If you're burning a lot of bodies and a lot of those bodies have mercury in the teeth -- it can be in like dental fillings -- some of that mercury can get in the smoke. And their furnace was certainly very leaky. You can get mercury poisoning from that or Mad Hatter's disease. And while neither of them, as far as I know, was ever diagnosed with that, there were some tests taken of Brent Marsh's hair. And they both had symptoms which could have been interpreted as symptoms of mercury poisoning. They could also be symptoms of a lot of other things though as well.

KATHLEEN GOLDHAR: So with everything that you've gathered, what do you think Brent feels about what happened? I mean, do you have a sense of him at all?

SHAUN RAVIV: Um. I think he was truly sorry for what he did. I never heard him say that directly to me, but he wrote letters to every single victim of this -- I think about over 300 of them. I think he felt really guilty about it. And he served time, he served his time and he didn't really question it. He may have gotten less time had they continued with the trial, but he decided to sort of settle on 12 years in prison.

KATHLEEN GOLDHAR: Speaking of Sheila Manis, because she attends the trial and like you said earlier, she sort of starts out obviously very angry at him. But she kind of over time has a little bit of a shift in her heart. Can you talk to me about that?

SHAUN RAVIV: Yeah, I would say more than kind of. She has like an almost complete shift, like a 180 shift. And I, to this day, I'm just super, super amazed and impressed by her. Because I do think that her shift was correct. It was the right moral shift, but it was not an easy thing to do. She decided to forgive Brent Marsh by the end. By the time she was testifying, she was testifying on his behalf in court, in front of a lot of other victims who were testifying against him.

SOUNDCLIP

SHEILA MANIS: The only thing I can offer you at this time, Brent, is my forgiveness and best wishes. And please know that not all of us want you to die in prison. And I will never oppose your release on parole. And if there is anything I can do, I'm willing to do it. Thank you.

KATHLEEN GOLDHAR: Where do you think that came from in her?

SHAUN RAVIV: I think that she... I think that she's recognized something in Brent, after seeing him speak in court a couple times, that she found familiar. Because she had gone through this horrible process of seeing Ira, her husband, deteriorate and die, and Brent had gone through the same thing with his father. And she'd had to take over sort of all of Ira's responsibilities in her family -- taking care of the kids, that kind of stuff. You know, earning money. And Brent had had to do the same thing when his father deteriorated, and I think she recognized something similar to that.

KATHLEEN GOLDHAR: You ask a question in episode one that I think kind of runs through the whole thing, and it even goes back to our conversation earlier about, like, what crime did he commit? But it's the idea of what do the living owe the dead -- you actually ask that very specifically. How do you feel about that now at the end of all of this?

SHAUN RAVIV: I still feel a very mixed feeling. I feel like I learned a lot while reporting the podcast. My beliefs are fairly weak on the subject, and I was really more interested in hearing what other people had to say about it. But I was so interested, and still am, about how different people's belief can be about the same thing. You can be the victim of the same crime and have two completely different reactions. And I hear, like-- I heard, like, night and day reactions. And mine, I would say, is somewhere in the middle. I do think that Brent Marsh, you know, did something wrong, and should have been... had some sort of punishment for it. But I also felt like it seemed like he was a pretty decent human being otherwise. And it wasn't, again, like... I kind of agreed with his lawyer that, you know, it's not like he killed anybody.

KATHLEEN GOLDHAR: You eventually do meet him, correct? Can you tell me about how that happened and what did you think of him?

SHAUN RAVIV: Yeah, at the very end of our reporting, after not securing an interview with Brent, we decided to go visit his church, which is essentially a family church very close to the crematory property. Me and my producer Johnny went there and I was pretty nervous. I was very nervous. Not because I expected, you know, someone to like punch me or kick me out or anything like that, but I-- I knew it was a church, I knew it would be a fairly welcoming atmosphere. But I was still nervous because I was reporting a podcast that people in the church probably didn't want me to be reporting. But we were welcomed really, really amazingly. All they asked, all that Brent specifically asked was that we don't record anything. But he said, you know, we were welcome to come in. And we respected his beliefs, and we went in, um, without a microphone, and just listened to him speak, to other members of his family speak, you know, in a sort of normal Sunday church. And it was, it was fantastic. I was so happy we did it. I really felt like I got to see the human being behind the newspaper articles, behind the court documents, really for the first time. Everything that I'd been told about who he was seemed to be presented to me, like, in person, in front of my own eyes. And that was, that was amazing. Especially after I'd spent so much time reporting on him. It's so different when you actually just shake someone's hand and, you know, enter their-- what is essentially their home.

KATHLEEN GOLDHAR: Yeah. All my years of reporting and producing, it always comes down to that. When you meet the people, generally, I mean there's a small percentage that aren't, but you find the nuance and the humanity and you always realize that there's such a long and complicated story to the crime or the mistake or the whatever. You know, and that really helps tell the story I think. It's so imperative.

SHAUN RAVIV: Yeah. Thank you. I, um. I always know there's complexity behind every story, but sometimes it's very hard to-- very easy to miss the complexity and just sort of go for the simplest path.

KATHLEEN GOLDHAR: Yeah. Yeah. Because people always want answers, right? And answers are easy when things are simple.

SHAUN RAVIV: Yes, exactly.

KATHLEEN GOLDHAR: Well, Shaun, thank you. This has been a lovely conversation and congrats again on the amazing podcast. It's really worth people's time to take a listen.

SHAUN RAVIV: Thank you so much.

[Music: Episode closing theme, Series closing theme]

KATHLEEN GOLDHAR: You've been listening to Crime Story from CBC Podcasts. We release a new episode every Monday, so please remember to follow the show in your podcast app. You can get our next episode a week early on CBC Podcasts' YouTube channel or by subscribing to CBC Podcasts' True Crime channel on Apple Podcasts. In addition to early access, subscribers to our True Crime channel also listen ad-free. Crime Story is hosted by me, Kathleen Goldhar. Our producers are Nikky Manfredi and Mitchell Stuart. Sound design by Julian Uzielli and Mitchell Stuart. Media sourced from Campside Media, Waveland, and WDEF News 12. Our senior producer is Geoff Turner. Our video producer is Evan Aagaard, and our YouTube producer is Jon Lee. Executive Producers are Cesil Fernandes and Chris Oke. Tanya Springer is the Senior Manager of CBC Podcasts and Arif Noorani is the Director of CBC Podcasts.

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Transcript: Crime Story, Episode 61

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