Nights Too Short to Dance by Marie-Claire Blais, translated by Katia Grubisic

A novel about pivotal moments in the fight for queer rights

Image | BOOK COVER: Nights Too Short to Dance By Marie-Claire Blais, translated by Katia Grubisic

(Second Story Press)

René suddenly feels like an old man. He is both comforted and annoyed by the officious care provided by his Russian nurse, Olga. René just wants to keep dressing elegantly, as in the old days of playing piano in women-only cabarets. What if a friend — or lover — decides to visit? And they do. René is soon joined by the writer Johnie, the musician Doudouline, the theologian Polydor, the painter l'Abeille, and Gérard, a lover of forbidden pleasures.
They support each other, offering shelter from the cold, snowy world outside. They celebrate together, intoxicated, convincing each other that no ill fate can reach them in their cocoon. They reminisce about past loves, tragedies, fights. The Stonewall riots. The AIDS pandemic where they lost so much. They steel themselves to take on the monster of bigotry and intolerance whenever it rears its ugly head, as it always does, again and again. Most of all, they find comfort and hope in each other's presence, and in the fight that so many are continuing: to assert our own identities, and not be defined by what society expects. (From Second Story Press)
Marie-Claire Blais was often lauded as one of Quebec's greatest writers. Her latest novel is The Acacia Gardens. She was the winner of numerous awards including the Médicis Prize, the W.O. Mitchell Literary Prize, four Governor General's Literary Awards and two Guggenheim Fellowships. She died in 2021.
Katia Grubisic is a writer, editor and translator. She has been a finalist for the Governor General's Literary Award for translation and the A.M. Klein Prize for Poetry. Her collection of poems What if red ran out won the Gerald Lampert Award for best first book.

Interviews with Marie-Claire Blais

Media Video | Archives : Author Marie-Claire Blais on writing in 1967

Caption: Marie-Claire Blais speaks to Phillip Resnick about influences on her writing, solitude, and politics.

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