Chip Zdarsky is a comic book writer and illustrator. The creator with a quirky sense of humour has worked on books such as the award-winning Sex Criminals, Kaptara, Jughead, Howard the Duck and most recently wrapped up a run writing the Peter Parker: The Spectacular Spider-Man series.

Zdarsky spoke with CBC Books about what it takes to be a successful comic book writer and offered seven tips for aspiring comics creators.

"One thing that a lot of people don't realize is that comics are 20 pages — at least Marvel Comic books are — so you have to be able to break down everything that happens page by page before you actually start writing. Figure out a plot that will work within that structure, which is the trickiest part."

"You have to read. You have to read comics, that's clear, but you have to read outside of comics. You have to read novels and nonfiction books, otherwise you're just building off comic book ideas and things become too comic book-y."

"You have to study the artist's work before you write for them. You want to play to their strengths."

"The easiest way into Marvel is to produce quality work on your own. Self-publish it, which is easy to do online. And there are a ton of small publishers out there that could look at your work and maybe give you an opportunity."

"A lot of people think that writing Spider-Man is just fun — but it's a job. People tend not to realize that. You have to actually segment your day and do aspects of the job that you might not necessarily enjoy — and it never stops. If you don't have an organized schedule, you're screwed. Procrastination and a lack of a schedule is usually what does in most writers."

"The biggest rule when you're writing a character like Spider-Man is to stay true to the character. The tricky thing with a character like Spider-Man is that he's appeared in thousands of comics over the years. Everyone has their own vision for what Spider-Man is. So you have to figure it out for yourself what you want to say with the character."

"Like most creative industries, comics is riddled with noes and rejections. Even after you've been doing comics and think you've made it, you're still getting stuff turned down. I have pitches turned down all the time and you just have to be able to move on and take the criticisms as they come. Perseverance is key."