In a rural community, talking about the effects of farmin​g and fishery on the health of the rivers and oceans can be a touchy subject. That's a significant part of why River Clyde Pageant co-creators Megan Stewart and Ker Wells wanted to create a dialogue about the health of the waters in a way that was celebratory and inspirational rather than didactic or polemical.

Wells and Stewart met while teaching and studying (respectively) theatre at Simon Fraser University, and in 2016 they decided to return to their home province of Prince Edward Island to start the River Clyde Pageant. Since then, the Pageant has grown to a yearly seri​es of community workshops and performances with over a hundred artists, community members and volunteers. The pageant features giant puppets, stilt walkers, choreography, and music created and performed by community members and artists.

In this video, Wells and some of the pageant players take you through the event that brings in hundreds of spectators — quite the feat, considering that the village of New Glasgow has a population of only a few hundred to begin with.

This year, the Pageant featured a large right whale pupp​et in response to a controversy in the Gulf of Saint Lawrence: the fishing area closures that were put in place to protect the North Atlantic right whales. There is believed to be fewer than 450 individuals of this endangered species left. As Wells puts it, right whales are a "particularly potent example of the choice we have about how we want to live, what we want the world to look like in 10 years, or 20 years or 50 years. Do we want to live in a world where whales only exist in our imagination?"

In a world of increasing environmental uncertainty, the River Clyde Pageant aims to explore the ways that art can inspire change and foster conversation.

Music courtesy of the River Clyde Pageant, George Rahi and John Millard; travel support courtesy of Simon Fraser University; and camerawork by Millefiore Clarkes.