After the Cause

Fringe's only Dance production, After the Cause is also claustrophobic, moody and tense - which was the goal

Image | After the Cause

Caption: (sisu\rab)

Rating: ★★★★
Company: sisu\rab
Genre: Dance
Venue: 8 — The Rachel Brone Theatre
Purchase Tickets(external link)
There aren't a a lot of options for fans of dance at the Fringe this year — Nova Dance co-founder Rachelle Bourget's After the Cause is the only show listed in the "dance" category. Fortunately for fans of contemporary dance, it's a powerful piece.
It begins with a deliberately slow start — a woman sitting mostly still under a bare light bulb while a voiceover about bad life choices, depression and cocaine-addicted lab rats plays in the background. What follows, though, is a sometimes explosive and often unsettling physical exploration of being trapped and trying to escape.
Bourget is a skilled dancer — sometimes fluid, sometimes violently spastic — and while her show has some rough edges (some sequences, like one set to a pulsating strobe light, run too long), it is consistently evocative.
It's a piece that won't be to everyone's liking, but it packs a punch. - Joff Schmidt
Set to a bass-heavy soundtrack that's sometimes droning, sometimes screeching, sometimes pounding, After the Cause is also claustrophobic, moody and tense — which I think is very much what Bourget is going for.
It's a piece that won't be to everyone's liking, but it packs a punch.
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