Kairo McLean grew up on a steady dose of old school reggae and Jamaican DJs whose skills and sense of rhythm he absorbed by osmosis. He picked up his first instrument, the drums, at the age of three and never looked back.

Now, the 13-year-old Toronto artist is the youngest person to be nominated for reggae recording of the year at the Juno Awards. It's a big feat, made even more impressive by the fact that his 2021 EP Easy Now is his first-ever release. While juggling all the responsibilities of a middle schooler, he's managed to take his love of music to new heights, already working on an album coming out this summer.

McLean found out he was nominated for the award after school when his mother and sister showed up at the end of the day, blasting his music from the car. His mother ran out, hugged him and told him the news. "I was excited, really and truly I was. Like, this is my debut EP and for it to be recognized so quickly in the reggae community is such a proud moment for me."

He's basking in the recognition but even without it he always had big plans for himself: "[Being nominated] is a great motivator but even before the nomination, I've always been motivated to keep going."

His four song EP is a collection of classic reggae tracks, with easy-going vibes and messages of freedom, justice and love. McLean's voice is overflowing with rich tones, so well-suited to the fulsome production. On "Rise Again," he sings: "If you think you can use your system to hold us down, we're gonna rise again," following in the tradition of reggae as a genre that seeks to critique and dismantle systems of oppression.

CBC Music spoke with McLean over the phone to hear about how it feels to be nominated, his musical upbringing, and what reggae music means to him.

Definitely. [laughs]

"Good Life" by Cocoa Tea is one of my core memories in music. That as well as "Stir It Up," and a lot of other songs by Bob Marley. I also remember hearing Super Cat, and the old '80s DJs. All of them make up my musical memories and I draw influences from them to this day.

Hearing them had a big impact on who I became as a person, not only hearing them but seeing them live [in video recordings], you know? They're just so exciting and so charismatic, especially Bob Marley, and the way he delivered his messages really spoke to my soul, and shaped who I am at 13 now. I try to live by the words that he put forth for the people of the future.

To me, reggae has always been about the struggle of the oppressed people. So not just Black people, although they have been oppressed for a long time and they use reggae as their stepping stone almost, but for any nation that's been held down for a long time. It really resonates with anyone that's been in those kinds of times. So, that's really what I think reggae means to me: it's a message, it helps liberate.

Right? And the reason why is because it's so powerful. And as I said before, it still rings true. Everyone has to emancipate themselves from mental slavery.

My father has always known Willow and they've done music together a little bit in the past. He came to my father with an opportunity to join a band and he said, "Bring your son," because I can play the drums and all that. So that was the original arrangement, but then Willow heard me singing and was impressed so he wanted me to record a couple of songs for him and that's how Easy Now came out. And I've been with Willow ever since, and Tim Dubs produced it.

For the most part, I'm self-taught. When I was three I took drum lessons, the kette drum and the bongos. From then on, I've been in love with the rhythm section. I picked up the guitar at six and I learned to play it at eight. And then I learned to actually play the drum kit around the same time. I've completely taught myself since those first drum lessons and I've actually come a long way.

Well, as I said earlier, they used to play music around the house often, but in terms of actually pursuing the knowledge of how to play and how to sing they didn't really push it too hard on me. I kind of went down that path myself, but they've definitely encouraged me the whole way. I've always written lyrics to DJs on sound systems with my dad because that's what he does. His name is Super G and he used to DJ on Night Rider 3000, big up to them. I've always tried to copy him and his style of writing, and one day, I was like, "You know what, I should put a melody to this." Anything that I've wanted to do musically, they've helped me achieve it. I love them so much and I thank them every day for it.

It's a mixture of my own lived experiences, which are very limited because of my age, and I figured out the key is to take from what the forefathers set for us. Bob Marley and Peter Tosh, they always write music that lasts a very long time. And if you really look into why, it's because their music rings true, even now. You see it on the news every day, there's always been trouble in the world and they've been writing about that since the early '60s and '70s' and '80s.