Gordon Shadrach's acrylic paintings on wood feature characters dressed in outfits that reference everything from hoodies to smoking jackets. And in his exhibition Pried and Prejudice in Toronto, the focus on fashion comes from a real interest in the clothes people wear and how an outfit can affect how we read a person. But the paintings also show pointed concern with how black men get assessed, and how easily confrontation or aggression gets mapped onto black faces.

The relationship between viewer and painting is wound up in racial difference, as Shadrach explains: "If the subject is looking at [the viewer] as a black man, there's an idea that there's confrontation, whereas I don't know if I've heard that with the Mona Lisa as a white woman, that she's confronting you." Growing up in a predominantly white community, Shadrach has always felt the gaze of those around him. (He's also 6'4", which hasn't necessarily helped the artist when it comes to fitting in.)

In this video, you meet Shadrach and hear how he went from painting bow ties to exploring the complicated worlds of fashion and "the gaze." Ultimately, the artist hopes that viewers leave Pried and Prejudice recognizing that "their own baggage, their own experiences, may impact how they're judging other people."