Arts·Q with Tom Power

Sameer Farooq believes that flatbread belongs in a museum

The Canadian artist sits down with Q's Tom Power to discuss his new project, Flatbread Library, which is on view now as part of the Toronto Biennial of Art.

The Canadian artist discusses his new project, Flatbread Library, which is part of the Toronto Biennial of Art

Sameer Farooq wearing over-ear headphones and sitting in front of a studio microphone.
Sameer Farooq in the Q studio in Toronto. (Vivian Rashotte/CBC)

Whether you call it naan, roti, lavash or tortilla, flatbread represents our cultures and traditions, showing us how food can unite us across borders. It's for that reason that the Canadian artist Sameer Farooq believes that flatbread belongs in a museum. His latest project, Flatbread Library, is a large-scale sculpture that indexes flatbread from different regions, sourced from bakeries around Toronto. Farooq sits down with Tom Power in the Q studio to tell us how a trip to Pakistan sparked the idea for the project, why bakers are the best sculptors, and how Flatbread Library challenges what we typically see in museums.

The full interview with Sameer Farooq is available on our podcast, Q with Tom Power. Listen and subscribe wherever you get your podcasts.


Interview with Sameer Farooq produced by Cora Nijhawan.