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Tina Hassannia
Tina Hassannia is a writer and film critic based in Toronto.
Latest from Tina Hassannia
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TIFF 2019
Connection at the heart of Canadian Renuka Jeyapalan's Life Support
'Life Support' is one of six episodes of personal stories adaptations cherry-picked from The Globe and Mail’s First Person section.
Comedy |
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TIFF 2019
Karen Moore debuts Volcano at TIFF with well-honed comedic chops
In Canadian Karen Moore’s directorial debut short film Volcano, two longtime friends meet up for drinks at a tiki bar, only to find themselves in their own bidding war for attention.
Comedy |
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There's a new generation of Indigenous filmmakers you need to watch — so here's your crash course
Canadian cinema would be nothing without its Indigenous contributions. Get to know the creatives making waves on our screens.
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This rising documentarian is capturing the magic of older women — including both her grandmas
The latest feature from Toronto's Sofia Bohdanowicz, currently screening at Hot Docs, is a disarming and romantic vision of the small moments that define a life.
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Point of View
Why we need to reframe the narrative of our invisible Canadian cinema
The day after the CSAs, filmmaker Kevan Funk mounts a defence of our country's cinema — and challenges Canadians to engage more deeply with it.
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Point of View
How the film 'Window Horses' offers a journey of self-discovery for this Iranian-Canadian writer
For Tina Hassannia, seeing Ann Marie Fleming's new animated film was "something of a beckoning call."
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The story of how a new era of Indigenous filmmaking began in Canada
In 1968, the NFB's Challenge For Change program started using film to amplify the voices of marginalized communities — with effects that still resonate to this day.
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This is the earliest known Canadian film written by a woman
1919's "Back to God's Country" is the most successful Canadian silent film ever — even though its creator has never gotten her deserved place in the history books.
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The (almost) lost history of Canada's cinematic birthplace
The memory of Montreal's now-destroyed Robillard Building is a reminder that history isn't always as neatly squared away as textbooks might want us to believe.
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This poignant documentary will change how you look at addiction and street life
Hugh Gibson's documentary debut offers a rare and necessary glimpse into a community often stigmatized or ignored by popular media.